Christopher Anderson (b. 1970, Canada) is a member of Magnum Photos and is New York magazine’s first ever photographer-in-residence. He is a recipient of the Robert Capa Gold Medal, awarded for exceptional courage and enterprise.
Nina Berman (b. 1960, US) is a member of the photo collective NOOR, an associate professor at Columbia University, and author of Purple Hearts—Back from Iraq and Homeland. Her photographs and videos have been exhibited at more than 100 venues, including the 2010 Whitney Museum Biennial. She has received awards from the Open Society Foundations, New York Foundation for the Arts, World Press Photo, Pictures of the Year, and Hasselblad.
Sasha Bezzubov (b. 1965, Ukraine) uses a large format camera to photograph people and the land in diverse series. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work is in the permanent collections of the Metropolitan Museum of Art and the Museum of the City of New York, and has appeared in the New York Times Magazine, Newsweek, and TIME. Republic of Dust was exhibited at Front Room Gallery, New York City, in 2015.
Peter Bialobrzeski (b. 1961, Germany) has been exhibited in Europe, Asia, Africa, the US, and Australia. Winner of World Press Photo awards in 2003 and 2010, Bialobrzeski teaches at the University of the Arts in Bremen. He is represented by Laurence Miller Gallery in New York, LA Galerie in Frankfurt, Robert Morat Gallery in Hamburg, and m97 Gallery in Shanghai.
Guillaume Bonn (b. 1970, Madagascar) is the third generation of a French family, all born in Madagascar. He studied economics and international politics at the Université de Montréal and Université du Québec à Montréal, and graduated from the International Center of Photography in New York. For the last twenty years, he has reported on conflict as well as social and environmental issues. He is the author of four books, including Mosquito Coast: Travels from Maputo to Mogadishu (2015).
Jörg Brüggemann (b. 1979, Germany) is a member of OSTKREUZ agency. His first monograph, Metalheads—The Global Brotherhood, was published in 2012. His work has appeared in the PDN Photo Annual, ZEIT Magazin, GEO, and on TIME’s photo blog Lightbox. He received numerous awards and grants, including the BFF Promotion Award and honorable mention at CENTER’s project competition 2009. He was a finalist for the Magnum Expression Award in 2009.
Philippe Chancel (b. 1959, France) has exhibited at Les Rencontres d’Arles, C/O Berlin, The Photographers’ Gallery, and the 53rd Venice Biennale. His long-term project “Datazone” explores parts of the world that are recurrently in the news or, conversely, hardly ever picked up by the media radar. This project has taken him to Kabul, Fukushima, the Niger Delta, and Pyongyang. Philippe Chancel is represented by melanie Rio gallery, Nantes and Paris.
David Chancellor (b. 1961, UK), a multiple award-winning documentary photographer, examines mankind’s commodification of wildlife. He has participated in numerous group and solo exhibitions, exhibited in major galleries and museums, and published worldwide. Recognized by World Press Photo, the Taylor Wessing National Portrait Prize, and Pictures of the Year International, Chancellor published the monograph Hunters in 2012.
Jesse Chehak (b. 1979, US) studied photography under Joel Sternfeld and Frank Gohlke. His encounters with the physical and social landscape of the American West have been exhibited widely. He also executes assignment work for clients ranging from Ogilvy & Mather to Newsweek, collaborating with creatives worldwide.
Kevin Cooley (b. 1975, US) uses photography, video, and installation to consider our evolving relationship with technology, nature, and ultimately each other. Cooley’s work was featured in solo exhibitions at the Nevada Museum of Art, the Museum of Photographic Arts, and Kopeikin Gallery. His work is in prominent collections, including The Guggenheim Museum.
Mitch Epstein (b. 1952, US) has work in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Tate Modern. Epstein’s books include New York Arbor, American Power, and Family Business. Epstein received the 2011 Prix Pictet and the 2008 Berlin Prize from the American Academy in Berlin.
Floto+Warner are an art and photo duo based in Brooklyn, NY. Cassandra Warner (b. 1975, US) graduated from Rochester Institute of Technology with a BA in Photographic Arts; Jeremy Floto (b. 1976, US) is self-trained. Together their work expands beyond photography to sculpture and painting. Floto+Warner’s approach often focuses on human intervention in the realm of nature and landscape. Their work has been exhibited in the Carnegie Museum of Art, the Walker Art Center, and Yale University Art Gallery. Commercial clients include AT&T, Volkswagen, Canon, SAP, and General Electric.
Greg Girard (b. 1955, Canada) has spent much of his career in Asia. His work examines the region’s social and physical transformations, especially in its largest cities. He is the author of several photographic books and has exhibited at The International Centre of Photography in New York, and the National Gallery of Canada in Ottawa, among other institutions. A contributing photographer to National Geographic Magazine, he is represented by Monte Clark Gallery, Canada.
Jacqueline Hassink (b. 1966, The Netherlands) is best known for her global photo art projects that deal with the world of economic power. She has exhibited at Huis Marseille, International Center of Photography, and the Victoria and Albert Museum. She is the winner of the Dutch Doc Award 2013. Her book The Table of Power 2 was shortlisted for the 2012 Paris Photo—Aperture Book Award as one the ten best photo books of the year.
Guillaume Herbaut (b. 1970, France) is represented by INSTITUTE. His work has been exhibited at Visa pour l’Image, Jeu de Paume, and Bruce Silverstein Gallery in New York. He has received the Lucien Hervé Prize, a World Press Photo award, and the Niépce Prize.
Shane Lavalette (b. 1987, US) is a photographer, the founding publisher and editor of the photo book imprint Lavalette, and director of the photography non-profit Light Work. Lavalette’s photographs have been shown at the High Museum of Art in Atlanta, Aperture Gallery in New York City, and Musée de l’Elysée in Lausanne, Switzerland. His work has been published in the New York Times Magazine, the New Yorker, and Wallpaper*, among others.
David Leventi (b. 1978, US), the son of two architects, was inspired to pursue architectural photography while working for Robert Polidori. His work has been published in TIME, the New York Times Magazine, ESPN The Magazine, FT Weekend Magazine, and Condé Nast Traveler. Leventi is represented by Rick Wester Fine Art and other galleries.
Michael Light (b. 1963, US) is a photographer, bookmaker, and pilot focused on the environment and how contemporary American culture relates to it. A Guggenheim Fellow, Light has published twenty-one editions of his six books worldwide since 1993. His latest, Lake Las Vegas / Black Mountain, was published in 2015 by Radius Books. He exhibits globally and his work is in the collections of major museums from the San Francisco Museum of Modern Art to the Victoria and Albert.
Alex Majoli (b. 1971, Italy) has covered conflict in Yugoslavia, Afghanistan, and Iraq, among many other locations worldwide for Newsweek, the New York Times Magazine, and National Geographic. A member of Magnum Photos, he has won prizes such as the ICP Infinity Award, a World Press Photo award, and a Pictures of the Year International award. His most recent project, Congo, a collaboration with Paolo Pellegrin, was exhibited at Les Rencontres d’Arles.
Yves Marchand (b. 1981, France) and Romain Meffre (b. 1987, France) met in 2002 and began documenting Detroit in 2005, a few years before the city became the epitome of the urban and economic crisis. It was then they officially started working together as a duo, using only one 4×5 inch camera. Steidl published their first book, The Ruins of Detroit, in 2010 and their second book, Gunkanjima, in 2013. Their work is in the collections of the Detroit Institute of Arts and the Maison Européenne de la Photographie. They are represented by Edwynn Houk Gallery.
Laura McPhee (b. 1958, US) works across a variety of genres, including portraits, landscapes, still life, and interiors. A Guggenheim fellow, she has work in the collections of the Metropolitan Museum of Art, the Whitney, and the J. Paul Getty Center Museum. Virginia Beahan (b. 1946, US) is a large-format landscape photographer whose work has been collected by the Metropolitan Museum of Art and the Museum of Contemporary Art San Diego, among others. No Ordinary Land, on which she collaborated with McPhee, was published by Aperture in 1998.
Andrew Moore (b. 1957, US) best known for his large format photographs of Cuba, Russia, Times Square, Detroit, and most recently, the American High Plains. Moore’s photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Library of Congress. Work comprising his newest book, Dirt Meridian, will exhibit at the Joslyn Museum of Art in Omaha in 2016.
Zed Nelson (b. 1965, Uganda) is known for major projects that interrogate contemporary Western society. He has published three books, Gun Nation, Love Me, and A Portrait of Hackney, and has won multiple awards, including Daily Life, first prize singles in World Press Photo and the Visa d’Or, Perpignan. Nelson’s work has been exhibited at Tate Britain, numerous international shows, and is in the permanent collections of the Victoria and Albert Museum and the National Portrait Gallery, London.
Simon Norfolk (b. 1963, Nigeria) is a landscape photographer whose work explores the “battlefield” in all its forms. He has photographed the world’s worst war zones and refugee crises. He has won Le Prix Dialogue at Les Rencontres d’Arles, the ICP Infinity Award, and two World Press Photo awards. He has work in major collections such as the Museum of Fine Arts, Houston, the J. Paul Getty Center Museum, and Tate Modern.
Mike Osborne (b. 1978, US) makes work touching on a ranges of themes, including architecture, landscape, history, and technology. Osborne’s photographs have appeared in the New York Times, the New Yorker, TIME, Wired, Neue Zürcher Zeitung, and Esquire Russia. His work is also in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts, Houston, and The Contemporary Austin. His first book, Floating Island, was published in 2014.
Matthew Pillsbury (b. 1973, France) creates long exposure photographs using only available light. His work has been exhibited internationally and is held in private and museum collections, including the Museum of Modern Art, the Musée du Louvre, and Tate Modern. Aperture released his book City Stages and hosted an accompanying exhibition. He received a Guggenheim Fellowship in 2014. His work is represented by Benrubi Gallery, New York, and Jackson Fine Art, Atlanta.
Ben Quinton (b. 1990, UK) studied commercial photography, but his documentary work appears in periodicals such as the Saturday Telegraph Magazine and Monocle. Based in London, he is interested in British culture in the UK and abroad, as well as the rapid westernization of Africa.
Daniel Shea (b. 1985, US) is an artist based in New York City. He has been a resident artist at Light Work, Syracuse, and Columbia College Chicago. His second book, Blisner, IL, was published in London in 2014. He has exhibited at the Museum of Contemporary Photography, Chicago, and Vava Gallery, Milan. His commissioned work has appeared in the New York Times Magazine, Le Monde, and Fantastic Man.
Anna Skladmann (b. 1986, Germany) has won the Arles Photo Folio Prize, and her work has been nominated for the Prix Pictet. Her book Little Adults is a collection of portraits of the first generation of children born into wealth. Her photographic projects have been exhibited in institutions worldwide, including the Maison Européenne de la Photographie, Moscow Museum of Modern Art, and the Museum für Kunst und Gewerbe Hamburg.
Juliana Sohn (b. 1969, South Korea) graduated from the Rhode Island School of Design and immediately began assisting the photographer Albert Watson. Working on subjects ranging from food to travel and portraits, she has shot for clients such as the New York Times Magazine, W Magazine, and The FADER.
Alec Soth (b. 1969, US) has published over twenty-five books, including Sleeping by the Mississippi, NIAGARA, and Songbook. He has had over fifty solo exhibitions at locations including Jeu de Paume in Paris, the Walker Art Center in Minnesota, and Media Space in London. Soth has received numerous fellowships and awards, including the 2013 Guggenheim Fellowship. He is a member of Magnum Photos.
Mikhael Subotzky (b. 1981, South Africa) has exhibited at, and been collected by, venues including the Museum of Modern Art, the Guggenheim and Tate Modern. He received the 2008 ICP Infinity Award and exhibited work in the 56th Venice Biennale. Previous monographs include Beaufort West, Retinal Shift, and Ponte City, which was shortlisted for the 2015 Deutsche Börse Photography Prize. Patrick Waterhouse (b. 1981, UK) is COLORS magazine’s editor-in-chief. He has produced a variety of work in many different media, including drawings, photographs, prints, and artists’ books. His work has been exhibited at the South African National Gallery, Art Basel, and the International Center of Photography.
Brian Ulrich (b. 1971, US) creates work portraying contemporary consumer culture. He has exhibited at the George Eastman Museum, the Cleveland Museum of Art, the Museum of Contemporary Art Chicago, the Museum of Contemporary Art San Diego, and the North Carolina Museum of Art. In 2009 he received a Guggenheim Fellowship. The Aperture Foundation published his monograph Is This Place Great or What in 2011. He is currently an assistant professor of photography at the Rhode Island School of Design.
Eirini Vourloumis (b. 1979, Greece) began her career as a contributing photographer for the New York Times Metro section and is currently freelancing for various international publications from Greece, focusing on the ongoing economic crisis. Her work has been published in the New York Times, the New Yorker, TIME, Businessweek, and the Guardian. In 2015, she was selected for the British Journal of Photography’s “Ones to Watch” issue.
Henk Wildschut (b. 1967, The Netherlands) has exhibited throughout Europe and Asia. In 2011, his book Shelter was awarded the Kees Scherer prize for the best Dutch photo book, and the prestigious Dutch Doc Award for best documentary project. In that same year, the Rijksmuseum commissioned him for the annual assignment Document Nederland with the topic Food. The results were published in the book Food and exhibited in the Rijksmuseum.
Michael Wolf (b. 1954, Germany) spent eight years as a contract photographer for Stern magazine before turning to personal projects, many of which concern life in Asian cities. His work has been exhibited in the 2010 Venice Biennale for Architecture and Aperture Gallery, New York, and is in the permanent collection of the Metropolitan Museum of Art in New York. Wolf has won three World Press Photo awards and published twenty books.
Paolo Woods (b. 1970, The Netherlands) is devoted to long-term projects that blend photography with investigative journalism. Woods has been recognized twice by World Press Photo awards and has had solo exhibitions in more than ten countries around the world. His work is in private and public collections. Gabriele Galimberti (b. 1977, Italy) is known for his typological portrait series shot around the globe. He began his career as a commercial photographer, but has gone on to exhibit his documentary projects at venues such as Festival Images, Les Rencontres d’Arles, and the Victoria and Albert Museum.
Nina Berman (b. 1960, US) is a member of the photo collective NOOR, an associate professor at Columbia University, and author of Purple Hearts—Back from Iraq and Homeland. Her photographs and videos have been exhibited at more than 100 venues, including the 2010 Whitney Museum Biennial. She has received awards from the Open Society Foundations, New York Foundation for the Arts, World Press Photo, Pictures of the Year, and Hasselblad.
Sasha Bezzubov (b. 1965, Ukraine) uses a large format camera to photograph people and the land in diverse series. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work is in the permanent collections of the Metropolitan Museum of Art and the Museum of the City of New York, and has appeared in the New York Times Magazine, Newsweek, and TIME. Republic of Dust was exhibited at Front Room Gallery, New York City, in 2015.
Peter Bialobrzeski (b. 1961, Germany) has been exhibited in Europe, Asia, Africa, the US, and Australia. Winner of World Press Photo awards in 2003 and 2010, Bialobrzeski teaches at the University of the Arts in Bremen. He is represented by Laurence Miller Gallery in New York, LA Galerie in Frankfurt, Robert Morat Gallery in Hamburg, and m97 Gallery in Shanghai.
Guillaume Bonn (b. 1970, Madagascar) is the third generation of a French family, all born in Madagascar. He studied economics and international politics at the Université de Montréal and Université du Québec à Montréal, and graduated from the International Center of Photography in New York. For the last twenty years, he has reported on conflict as well as social and environmental issues. He is the author of four books, including Mosquito Coast: Travels from Maputo to Mogadishu (2015).
Jörg Brüggemann (b. 1979, Germany) is a member of OSTKREUZ agency. His first monograph, Metalheads—The Global Brotherhood, was published in 2012. His work has appeared in the PDN Photo Annual, ZEIT Magazin, GEO, and on TIME’s photo blog Lightbox. He received numerous awards and grants, including the BFF Promotion Award and honorable mention at CENTER’s project competition 2009. He was a finalist for the Magnum Expression Award in 2009.
Philippe Chancel (b. 1959, France) has exhibited at Les Rencontres d’Arles, C/O Berlin, The Photographers’ Gallery, and the 53rd Venice Biennale. His long-term project “Datazone” explores parts of the world that are recurrently in the news or, conversely, hardly ever picked up by the media radar. This project has taken him to Kabul, Fukushima, the Niger Delta, and Pyongyang. Philippe Chancel is represented by melanie Rio gallery, Nantes and Paris.
David Chancellor (b. 1961, UK), a multiple award-winning documentary photographer, examines mankind’s commodification of wildlife. He has participated in numerous group and solo exhibitions, exhibited in major galleries and museums, and published worldwide. Recognized by World Press Photo, the Taylor Wessing National Portrait Prize, and Pictures of the Year International, Chancellor published the monograph Hunters in 2012.
Jesse Chehak (b. 1979, US) studied photography under Joel Sternfeld and Frank Gohlke. His encounters with the physical and social landscape of the American West have been exhibited widely. He also executes assignment work for clients ranging from Ogilvy & Mather to Newsweek, collaborating with creatives worldwide.
Kevin Cooley (b. 1975, US) uses photography, video, and installation to consider our evolving relationship with technology, nature, and ultimately each other. Cooley’s work was featured in solo exhibitions at the Nevada Museum of Art, the Museum of Photographic Arts, and Kopeikin Gallery. His work is in prominent collections, including The Guggenheim Museum.
Mitch Epstein (b. 1952, US) has work in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Tate Modern. Epstein’s books include New York Arbor, American Power, and Family Business. Epstein received the 2011 Prix Pictet and the 2008 Berlin Prize from the American Academy in Berlin.
Floto+Warner are an art and photo duo based in Brooklyn, NY. Cassandra Warner (b. 1975, US) graduated from Rochester Institute of Technology with a BA in Photographic Arts; Jeremy Floto (b. 1976, US) is self-trained. Together their work expands beyond photography to sculpture and painting. Floto+Warner’s approach often focuses on human intervention in the realm of nature and landscape. Their work has been exhibited in the Carnegie Museum of Art, the Walker Art Center, and Yale University Art Gallery. Commercial clients include AT&T, Volkswagen, Canon, SAP, and General Electric.
Greg Girard (b. 1955, Canada) has spent much of his career in Asia. His work examines the region’s social and physical transformations, especially in its largest cities. He is the author of several photographic books and has exhibited at The International Centre of Photography in New York, and the National Gallery of Canada in Ottawa, among other institutions. A contributing photographer to National Geographic Magazine, he is represented by Monte Clark Gallery, Canada.
Jacqueline Hassink (b. 1966, The Netherlands) is best known for her global photo art projects that deal with the world of economic power. She has exhibited at Huis Marseille, International Center of Photography, and the Victoria and Albert Museum. She is the winner of the Dutch Doc Award 2013. Her book The Table of Power 2 was shortlisted for the 2012 Paris Photo—Aperture Book Award as one the ten best photo books of the year.
Guillaume Herbaut (b. 1970, France) is represented by INSTITUTE. His work has been exhibited at Visa pour l’Image, Jeu de Paume, and Bruce Silverstein Gallery in New York. He has received the Lucien Hervé Prize, a World Press Photo award, and the Niépce Prize.
Shane Lavalette (b. 1987, US) is a photographer, the founding publisher and editor of the photo book imprint Lavalette, and director of the photography non-profit Light Work. Lavalette’s photographs have been shown at the High Museum of Art in Atlanta, Aperture Gallery in New York City, and Musée de l’Elysée in Lausanne, Switzerland. His work has been published in the New York Times Magazine, the New Yorker, and Wallpaper*, among others.
David Leventi (b. 1978, US), the son of two architects, was inspired to pursue architectural photography while working for Robert Polidori. His work has been published in TIME, the New York Times Magazine, ESPN The Magazine, FT Weekend Magazine, and Condé Nast Traveler. Leventi is represented by Rick Wester Fine Art and other galleries.
Michael Light (b. 1963, US) is a photographer, bookmaker, and pilot focused on the environment and how contemporary American culture relates to it. A Guggenheim Fellow, Light has published twenty-one editions of his six books worldwide since 1993. His latest, Lake Las Vegas / Black Mountain, was published in 2015 by Radius Books. He exhibits globally and his work is in the collections of major museums from the San Francisco Museum of Modern Art to the Victoria and Albert.
Alex Majoli (b. 1971, Italy) has covered conflict in Yugoslavia, Afghanistan, and Iraq, among many other locations worldwide for Newsweek, the New York Times Magazine, and National Geographic. A member of Magnum Photos, he has won prizes such as the ICP Infinity Award, a World Press Photo award, and a Pictures of the Year International award. His most recent project, Congo, a collaboration with Paolo Pellegrin, was exhibited at Les Rencontres d’Arles.
Yves Marchand (b. 1981, France) and Romain Meffre (b. 1987, France) met in 2002 and began documenting Detroit in 2005, a few years before the city became the epitome of the urban and economic crisis. It was then they officially started working together as a duo, using only one 4×5 inch camera. Steidl published their first book, The Ruins of Detroit, in 2010 and their second book, Gunkanjima, in 2013. Their work is in the collections of the Detroit Institute of Arts and the Maison Européenne de la Photographie. They are represented by Edwynn Houk Gallery.
Laura McPhee (b. 1958, US) works across a variety of genres, including portraits, landscapes, still life, and interiors. A Guggenheim fellow, she has work in the collections of the Metropolitan Museum of Art, the Whitney, and the J. Paul Getty Center Museum. Virginia Beahan (b. 1946, US) is a large-format landscape photographer whose work has been collected by the Metropolitan Museum of Art and the Museum of Contemporary Art San Diego, among others. No Ordinary Land, on which she collaborated with McPhee, was published by Aperture in 1998.
Andrew Moore (b. 1957, US) best known for his large format photographs of Cuba, Russia, Times Square, Detroit, and most recently, the American High Plains. Moore’s photographs are held in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Library of Congress. Work comprising his newest book, Dirt Meridian, will exhibit at the Joslyn Museum of Art in Omaha in 2016.
Zed Nelson (b. 1965, Uganda) is known for major projects that interrogate contemporary Western society. He has published three books, Gun Nation, Love Me, and A Portrait of Hackney, and has won multiple awards, including Daily Life, first prize singles in World Press Photo and the Visa d’Or, Perpignan. Nelson’s work has been exhibited at Tate Britain, numerous international shows, and is in the permanent collections of the Victoria and Albert Museum and the National Portrait Gallery, London.
Simon Norfolk (b. 1963, Nigeria) is a landscape photographer whose work explores the “battlefield” in all its forms. He has photographed the world’s worst war zones and refugee crises. He has won Le Prix Dialogue at Les Rencontres d’Arles, the ICP Infinity Award, and two World Press Photo awards. He has work in major collections such as the Museum of Fine Arts, Houston, the J. Paul Getty Center Museum, and Tate Modern.
Mike Osborne (b. 1978, US) makes work touching on a ranges of themes, including architecture, landscape, history, and technology. Osborne’s photographs have appeared in the New York Times, the New Yorker, TIME, Wired, Neue Zürcher Zeitung, and Esquire Russia. His work is also in the permanent collections of the Dallas Museum of Art, the Museum of Fine Arts, Houston, and The Contemporary Austin. His first book, Floating Island, was published in 2014.
Matthew Pillsbury (b. 1973, France) creates long exposure photographs using only available light. His work has been exhibited internationally and is held in private and museum collections, including the Museum of Modern Art, the Musée du Louvre, and Tate Modern. Aperture released his book City Stages and hosted an accompanying exhibition. He received a Guggenheim Fellowship in 2014. His work is represented by Benrubi Gallery, New York, and Jackson Fine Art, Atlanta.
Ben Quinton (b. 1990, UK) studied commercial photography, but his documentary work appears in periodicals such as the Saturday Telegraph Magazine and Monocle. Based in London, he is interested in British culture in the UK and abroad, as well as the rapid westernization of Africa.
Daniel Shea (b. 1985, US) is an artist based in New York City. He has been a resident artist at Light Work, Syracuse, and Columbia College Chicago. His second book, Blisner, IL, was published in London in 2014. He has exhibited at the Museum of Contemporary Photography, Chicago, and Vava Gallery, Milan. His commissioned work has appeared in the New York Times Magazine, Le Monde, and Fantastic Man.
Anna Skladmann (b. 1986, Germany) has won the Arles Photo Folio Prize, and her work has been nominated for the Prix Pictet. Her book Little Adults is a collection of portraits of the first generation of children born into wealth. Her photographic projects have been exhibited in institutions worldwide, including the Maison Européenne de la Photographie, Moscow Museum of Modern Art, and the Museum für Kunst und Gewerbe Hamburg.
Juliana Sohn (b. 1969, South Korea) graduated from the Rhode Island School of Design and immediately began assisting the photographer Albert Watson. Working on subjects ranging from food to travel and portraits, she has shot for clients such as the New York Times Magazine, W Magazine, and The FADER.
Alec Soth (b. 1969, US) has published over twenty-five books, including Sleeping by the Mississippi, NIAGARA, and Songbook. He has had over fifty solo exhibitions at locations including Jeu de Paume in Paris, the Walker Art Center in Minnesota, and Media Space in London. Soth has received numerous fellowships and awards, including the 2013 Guggenheim Fellowship. He is a member of Magnum Photos.
Mikhael Subotzky (b. 1981, South Africa) has exhibited at, and been collected by, venues including the Museum of Modern Art, the Guggenheim and Tate Modern. He received the 2008 ICP Infinity Award and exhibited work in the 56th Venice Biennale. Previous monographs include Beaufort West, Retinal Shift, and Ponte City, which was shortlisted for the 2015 Deutsche Börse Photography Prize. Patrick Waterhouse (b. 1981, UK) is COLORS magazine’s editor-in-chief. He has produced a variety of work in many different media, including drawings, photographs, prints, and artists’ books. His work has been exhibited at the South African National Gallery, Art Basel, and the International Center of Photography.
Brian Ulrich (b. 1971, US) creates work portraying contemporary consumer culture. He has exhibited at the George Eastman Museum, the Cleveland Museum of Art, the Museum of Contemporary Art Chicago, the Museum of Contemporary Art San Diego, and the North Carolina Museum of Art. In 2009 he received a Guggenheim Fellowship. The Aperture Foundation published his monograph Is This Place Great or What in 2011. He is currently an assistant professor of photography at the Rhode Island School of Design.
Eirini Vourloumis (b. 1979, Greece) began her career as a contributing photographer for the New York Times Metro section and is currently freelancing for various international publications from Greece, focusing on the ongoing economic crisis. Her work has been published in the New York Times, the New Yorker, TIME, Businessweek, and the Guardian. In 2015, she was selected for the British Journal of Photography’s “Ones to Watch” issue.
Henk Wildschut (b. 1967, The Netherlands) has exhibited throughout Europe and Asia. In 2011, his book Shelter was awarded the Kees Scherer prize for the best Dutch photo book, and the prestigious Dutch Doc Award for best documentary project. In that same year, the Rijksmuseum commissioned him for the annual assignment Document Nederland with the topic Food. The results were published in the book Food and exhibited in the Rijksmuseum.
Michael Wolf (b. 1954, Germany) spent eight years as a contract photographer for Stern magazine before turning to personal projects, many of which concern life in Asian cities. His work has been exhibited in the 2010 Venice Biennale for Architecture and Aperture Gallery, New York, and is in the permanent collection of the Metropolitan Museum of Art in New York. Wolf has won three World Press Photo awards and published twenty books.
Paolo Woods (b. 1970, The Netherlands) is devoted to long-term projects that blend photography with investigative journalism. Woods has been recognized twice by World Press Photo awards and has had solo exhibitions in more than ten countries around the world. His work is in private and public collections. Gabriele Galimberti (b. 1977, Italy) is known for his typological portrait series shot around the globe. He began his career as a commercial photographer, but has gone on to exhibit his documentary projects at venues such as Festival Images, Les Rencontres d’Arles, and the Victoria and Albert Museum.
